Selected Publications

2017
Wang, S. P. (2017). Positions: Race and Ethnicity in an Expanded American Art History. American Art, 31(2), 77-81. Full Text
2014
2013
Wang, S. P. (2013). “Masks that Reveal/Faces that Conceal: Kuniyoshi’s Postwar Imagery 顕す仮面/隱す顏 国吉の戦後作品”. In Yasuo Kuniyoshi: The Origin of the Benesse Art Site Naoshima . Naoshima, Japan.
2010
Wang, S. P. (2010). “The Effecting Eye: An Integrated Approach to Teaching History of Photography”. International Journal for Education through Art, 5(2/3), 213-227. Full text
2009
2008
Wang, S. P. (2008). “Performing Diaspora: The Body and Identity in the Work of Asian American Artists". In Asian/American/Modern Art: Shifting Currents, 1900-1970 (p. 23-28). University of California Press with the de Young Museum, Fine Arts Museums of San Francisco.
2007
Wang, S. P. (2007). “The Challenges of Displaying ‘Asian American’: Curatorial Perspectives and Critical Approaches". AAPI Nexus: Asian Americans and Pacific Islander Policy, Practice and Community, 5(1), 12-32. Abstract
2005
2004
Wang, S. P., & Wang, S. - C. (2004). “Resuscitating the Critical Eye: Semiotic Approaches to Teaching Visual Culture in Higher Education". In Semiotics and Visual Culture: Sights, Signs, and Significance (p. 116-123). Reston, VA: The National Art Education Association.
2003
Wang, S. P. (2003). “Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art". Yishu-Journal of Contemporary Chinese Art, 2(4), 41-51.