Selected Publications

Wang, S. P. (2018). Chiura Obata: An American Modern. The University of California Press. UC Press
Wang, S. P. (2018). "Playing against Type: Frank Matsura's Photographic Performances". In Beyond the Face: New Perspectives on Portraiture (p. 174-191). London: D. Giles Ltd. and Smithsonian National Portrait Gallery. Website
Wang, S. P. (2017). The Other American Moderns. Matsura, Ishigaki, Noda, Hayakawa. University Park, PA: Penn State University Press. Review
Wang, S. P. (2013). Masks that Reveal/Faces that Conceal: Kuniyoshi’s Postwar Imagery 顕す仮面/隱す顏 国吉の戦後作品. Yasuo Kuniyoshi: The Origin of the Benesse Art Site Naoshima . Naoshima, Japan: Benesse Holdings, Inc. 株式会社 ベネッセホールディングス.
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Wang, S. P. (2010). “The Effecting Eye: An Integrated Approach to Teaching History of Photography”. International Journal for Education through Art, 5(2/3), 213-227. Full Text
Wang, S. P. (2008). “Performing Diaspora: The Body and Identity in the Work of Asian American Artists". In Asian/American/Modern Art: Shifting Currents, 1900-1970 (p. 23-28). University of California Press with the de Young Museum, Fine Arts Museums of San Francisco.
Wang, S. P. (2007). “The Challenges of Displaying ‘Asian American’: Curatorial Perspectives and Critical Approaches". AAPI Nexus: Asian Americans and Pacific Islander Policy, Practice and Community, 5(1), 12-32. Abstract
Wang, S. P., & Wang, S. - C. (2004). “Resuscitating the Critical Eye: Semiotic Approaches to Teaching Visual Culture in Higher Education". In Semiotics and Visual Culture: Sights, Signs, and Significance (p. 116-123). Reston, VA: The National Art Education Association.
Wang, S. P. (2003). “Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art". Yishu-Journal of Contemporary Chinese Art, 2(4), 41-51.
Wang, S. P. (2002). “Acknowledging the Artist in the ‘Postmodern’". Disorient , (10).